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Individuality, faith, and the supernatural were at the forefront of the Passionate approach to life. Romantic writers like Blake, Wordsworth, Keats, and Byron called for a rebellion against oppressive conventions, drawing inspiration from the Sturm und Drang movement and its desire to free people from bourgeois worldviews. These poets frequently included occult and supernatural elements in their works and frequently drew on the spiritual and natural beauty of nature as inspiration for their poetry. With his 1849 novel The Raven, which involves a sentient bird tormenting the poet’s character’s grieving love, Edgar allan poe is a prime example of this.
The idea that everyone has their own distinctive, specific tone or type is a defining feature of Romanticism. According to critic M. H. Abrams,” a lot of Intimate poetry invited the readers to determine with its heroines as though they were each the poster’s own self-characters.” This trait worked well with different creative press. For instance, works like Theodore Gericault’s 1819 depiction of the Raft of the Medusa ( Louvre ) were born out of the Romantics ‘ enthralling fascination with shipwrecks. Horses of all kinds were depicted by additional painters, such as Antoine-louis Baryeer and Edwin Landseer, to create a sense of emotional depth.
In the philosophy of the Enlightenment, Romance intellectuals and thinkers conceived of the Absolute in a manner that resembles the Universal. The optimists believed that the Absolute controlled all finite physical and mental manifestations as its one entire subject in response to Kant’s discourse of omnitudo realitatis and Spinoza’s all-encompassing” substance” idea.
Romanticism tried to regard and sustain rationale and logic within certain bounds, despite its association with a largely anti-rational, sentimental view of life. Loving irony, which prioritizes aesthetics over ontological and metaphysical concerns, is not viewed as foolish or anti-enlightenment because of this. The reversal of the relationship between reason and sensibility and the recognition of the human’s finite perspective on reality serves as the foundation for the poetic and visual pursuits of the Romantics.
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